

If they were, their category would be: “Your Mileage May Vary.” Here’s to taking a risk. As we head into Oscar season-which is overstuffed with movies that ought to be overlooked-these are films that are prone to getting lost in the shuffle of our consideration. What follows are a handful-just a handful!-of some of this year’s most exciting releases-four small and one large, four fiction and one documentary-running the gamut from art house and foreign film to dumb, bloody action. But the main perk of being a critic is shouting out the movies you like and even love, regardless of their potential appeal. It’s no wonder we still coalesce around the usual tentpoles: We can depend on them to be, at minimum, satisfyingly distracting.Įither way, it’s a tough market for originality, and an even tougher market for work that’s challenging. The glut of new content online, in theaters, and on whichever screen functions as your TV, paired with the typical working person’s lack of time and essential hunger for escapism, can make it hard to advocate for anything that feels like a risk. Plenty were also good-but among smaller movies, by the time word travels about what’s “good,” and by the time what’s good is available to the broadest possible audience, there’s a chance we’ve all already moved on to the next “must-watch” thing.

Scott told Variety that this was “because of the increasing volume of new films released each year.” In late 2013, Scott tallied up the number of releases the paper reviewed that year: a frightening 900.
SLEEPLESS INDIE FILM FULL MOVIE MOVIE
Just two years ago, The New York Times, which had traditionally reviewed every movie with a New York opening, announced that it could no longer make that guarantee. But it’s also been, for some time, an era of too many movies, and often for some of the same reasons: an influx of original content from platforms like Netflix, a diversifying sense of what “movie” even means, and so on. We think of this as an era of peak TV- and it is. The worst part about reviewing movies is: There are so many movies. More to see means more to recommend, at least in theory. I could not sleep that night, (sic)" said the mass hero.The best thing about reviewing movies is: There are so many movies. A kind of fear surrounded us giving us the feeling on we dont know what will happen at the last minute. I recalled the adverse incidents from the past that happened when we thought the movie would do good. I was confident in the beginning, but Surekha was very dull the night before the movie release. He was worried about something going wrong at the last minute. Speaking at the success meet of GodFather, Chiranjeevi revealed that he could not sleep the night before its release. GodFather is a political thriller, directed by Mohan Raja. Chiranjeevi has now revealed he was very nervous a day before its release. It subsequently exceeded expectations to enter the Rs 100 crore club globally.

By Roktim Rajpal: Chiranjeevi's GodFather opened to a strong response at the box office on October 5 much to the delight of his ardent fans.
